![]() The user interface includes a number of controls you can fiddle with to fine tune the effect or even radically alter it.Īt the top is a histogram, which you can configure to display all the RGB channels at once or individually. Rollei: IR 400, Retro 100 Tonal, Retor 80s, Ortho 25.Kodak: BW 400 CN, HIE (High Speed Infrared), Kodak HIE filtered (High Speed Infrared), T-Max 100/400/3200, Tri-X 400.The Black and White emulsions (with a few infrared) include: Fuji: Superia Reala 100, Superia 200, Superia X-Tra 800, Superia HG 1600,. ![]() Generic Kodak: Ektachrome 100 VS, Kodachrome 64.Generic Fuji: Astia 100, Provia 100, Velvia 100.Kodak: E-100 GX Ektachrome 100, Ektachrome 100 VS, Elite ExtraColor 100, Elite Chrome 200/400, Kodakchrome 25/64/200.The four categories are, as you might expect, Color Positive Film, Color Negative Film, Black and White Film, and Cross Processed Film. The full list of 60 emulsion renderings includes four categories (not counting a Custom Preset category of settings you can save derived from variations of the standards). They shot the film and had it processed in leading labs both in New York and Paris - Picto in Paris and Duggal in New York - before analyzing the results to build the renderings. FilmPack 3 is a healthy upgrade from FilmPack 2.Īnd how they did it is interesting. The company revised a number of the emulsion renderings and added 10 more while updating the user interface. That wasn't all that DxO was coding, though. FilmPack 3 includes a few new tools as well, including: Customized film effects, Hue/Saturation/Lightness sliders, a Channel Mixer, Creative Vignetting and a Noise Removal tool.
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